翻訳と辞書
Words near each other
・ "O" Is for Outlaw
・ "O"-Jung.Ban.Hap.
・ "Ode-to-Napoleon" hexachord
・ "Oh Yeah!" Live
・ "Our Contemporary" regional art exhibition (Leningrad, 1975)
・ "P" Is for Peril
・ "Pimpernel" Smith
・ "Polish death camp" controversy
・ "Pro knigi" ("About books")
・ "Prosopa" Greek Television Awards
・ "Pussy Cats" Starring the Walkmen
・ "Q" Is for Quarry
・ "R" Is for Ricochet
・ "R" The King (2016 film)
・ "Rags" Ragland
・ ! (album)
・ ! (disambiguation)
・ !!
・ !!!
・ !!! (album)
・ !!Destroy-Oh-Boy!!
・ !Action Pact!
・ !Arriba! La Pachanga
・ !Hero
・ !Hero (album)
・ !Kung language
・ !Oka Tokat
・ !PAUS3
・ !T.O.O.H.!
・ !Women Art Revolution


Dictionary Lists
翻訳と辞書 辞書検索 [ 開発暫定版 ]
スポンサード リンク

Papa Laine : ウィキペディア英語版
Papa Jack Laine

George Vital "Papa Jack" Laine (September 21, 1873 – June 1, 1966) was an American musician and a pioneering band leader in New Orleans in the years from the Spanish–American War to World War I. He is often credited with being instrumental in the development of jazz music as his Reliance Brass Band was the first to fuse European, African and Latin music together. The earliest jazz musicians can be traced back to playing within the Reliance Brass Band or being influenced from those who had.〔("Birthplace of Jazz", New Orleans Music History Online ), neworleansonline.com; accessed October 8, 2014.〕
Many of the New Orleans musicians who first spread jazz around the United States in the 1910s and 1920s got their start in Laines band, including the members of the Original Dixieland Jass Band. Laine was a drummer, but was more noted for his skills at arranging and booking bands. Laine's musicians included individuals from most of New Orleans' many ethnic groups such as African American, English, French, German, Irish, Italian, Jewish, Latin American, Scottish, etc. He started leading bands in 1885 before the Jim Crow laws went into effect in New Orleans.〔("Papa Jack" George Vetiala Laine, National Park Service, )〕 Due to the diverse background of many of his bands members such as their cultural background, socioeconomic status, age variations from young to old as well as musical experience (some having none at all) a broad range of ideas were developed and fused together leading to the early beginnings of jazz music.〔
Even after segregation laws started demanding "whites" and "colored" be kept separate, Laine continued to hire light- and medium light-skinned African-American musicians, claiming that they were "Cuban" or "Mexican" if any segregationist tried to start trouble. As such his band attracted a large and diverse group of people such as Mexican clarinetist Lorenzo Tio, Sr., a pioneer of the jazz solo. Laine believed music brought people together.〔 Laine retired from the music booking business by 1920, but he was interviewed a number of times, providing first hand accounts of the early days of the development of New Orleans jazz. He had hired well over 100 musicians to play in his bands, including the following:
==References==




抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Papa Jack Laine」の詳細全文を読む



スポンサード リンク
翻訳と辞書 : 翻訳のためのインターネットリソース

Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.